
Up: Glassmaking

Stained Glass 8 of 29
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ISAIAH BEARING ST. MATTHEW
Chartres Cathedral
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Thirteenth-century craftsmen invented the iron
frame bent to enclose medallions of a great variety of shapes. These
gave greater strength to the window, as well as more variety of form to
the frame enclosing the scenes picturing life adventures, historic
events, or even the occupations of the donors of the windows, which were
frequently shown in the lower sections of medallion windows. When the
donors were titled folk they were not infrequently pictured kneeling
below very large images of saints in great windows.
The earliest workers in stained glass inherited
from Greek and Byzantine sources a clear conception of the correct use
of their material. Cutting the glass in small pieces so that the lead
line holding them together should, as far as possible, follow the drawing
laid out for them, the glass filling there spaces was selected according
to clearly defined principles of varied color. Choosing tones for any
large mass of one tint and balancing these by their complementary colors
in the surrounding mass, the workers in glass required no color sketch
from the artists who supplied them the cartoons.

HEADS FROM ENGLISH FOURTEENTH- CENTURY WINDOWS
Showing three examples of varying styles
and periods: earliest period (center);
middle period (at the left); last
development of 14th-century English
glass painting (right)
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Of the workers in glass of that far-off period
we have no definite records as to names of origin.
It is supposed the designs were given to them
by artist monks, since it was always the monasteries that furnished the
art and learning of that period. It is not impossible that the workers,
as well, were lay brothers associated with the monastic orders, who had
ample time for the necessary training in all the delicate details of
making the glass, cutting it and putting it together in the lead. Existing
manuscripts show that the monasteries carefully preserved in their
libraries all the recipes for making the glass. The manuscript of
Monk Theophilus, supposed to have been written in
the eleventh century, copies of which circulated in many countries during
the Middle ages, gives the most
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