Usually seen in this orientation (when out of context
on someone's sales table as a whatsit), but this is
upside-down. The prism hangs below, and the flat
part is on top, forming the surface to be trod upon.
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To do a better job of dispersing the light, multiple
prisms set at different angles are used. However, the
single pendant (below) is the most common.
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If you were to bend over and scrutinize one in situ,
you would see a very old scuffy dull glass surface, like
this. They're usually purple, but aqua and clear are known.
Purple glass was originally clear; manganese added as a
decolorizer slowly turns purple after years of UV exposure
from sunlight.
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A prism shape is better than just plain flat glass
since the prism will disperse some of the the light
sideways, diffusing and spreading the light over a
larger area, and hopefully providing enough natural
light to render an underground space usable.
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In the U.S., the prisms are usually set
into concrete, with steel reinforcing bars forming a
grid. This makes them particularly difficult to remove
and salvage (or repair); the glass units you do find are
almost invariably damaged. However, for once, scuffyness
does not detract! A used and dull surface is fine.
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In the U.K. "pavement lights" were originally set in
iron frames, often marked with the name of the foundry
(rather than the glassmaker). Later replacements (still
being made today) are set in concrete and steel in the
U.S. style.
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Company identification (usually in the form of brass plaques) is
often set into the concrete for free advertising. It's difficult
to tell though whether the company advertised made just the glass,
or the entire glass, steel and concrete structure.