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Curiosities
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·Title ·21 ·48 ·75 ·102 ·129
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·iv ·23 ·50 ·77 ·104 §Plate 1
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§Contents ·26 ·53 §80 ·107 ·Plate 2
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·3 ·30 ·57 §84 ·111 ·Plate 3
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MILLE-FIORE.
outward pressure of the atmosphere. Some of the ancient specimens have apparently been decomposed on the exterior, but can be again restored by the Glass cutter's polishing wheels. (See Plate VI,. fig. 1.)

MILLE-FIORE.

The Mille-Fiore, or star-work of the Venetians is more regular in design than the ball, but of the same characters.
Mille-fiore.
It was formed by placing lozenges of glass, cut from the ends of coloured canes, ranging them in regular or irregular devices, and encasing them in Flint transparent Glass. The double transparent Glass cone, A, received the lozenges between the two surfaces. The whole is reheated; a hollow disk, communicating with the blowing-iron, adheres to the neck, B, and the air is exhausted or sucked out of the double case, as further explained in the cameo illustration. After being rewarmed, it becomes one homogeneous mass, and can be shaped into a tazza, paper-weight, &c., at pleasure.

MOSAIC WORK.

The Romans, and possibly the Greeks, formed beautiful arabesque and other designs of Mosaic Glass: many of these are of minute and accurate execution, in light colours beautifully harmonized upon a dark ground, formed wholly of threads of Glass. They are ranged vertically, side by side, in single threads